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The Mediterranean in Music: Critical Perspectives, Common Concerns, Cultural Differences, edited by David Cooper and Kevin Dawe, 2005. Albanian Urban Lyric Song in the 1930s, by Eno Koço, 2004. Celtic Modern: Music at the Global Fringe, edited by Martin Stokes and Philip V. Europea: Ethnomusicologies and ModernitiesĪims to provide a critical framework necessary to capture something of the turbulent dynamics of music performance, engaging the forces that inform and deform, contest and mediate the senses of identity, selfhood, belonging, and progress that shape “European” musical experience in Europe and across the world. The diverse subjects and interdisciplinary approaches in individual volumes capture something of-and, in a small way, become part of-the jangling polyphony through which the “New Europe” has explosively taken musical shape in public discourse, in expressive culture, and, increasingly, in political form. “Europe” will emerge from the volumes as a space for critical dialogue, embracing competing and often antagonistic voices from across the continent, across the Atlantic, across the Mediterranean and the Black Sea, and across a world altered ineluctably by European colonialism and globalization. Both the broader view to which ethnomusicology aspires and the critical edge necessary to understanding the present moment are served by broadening the base on which “academic” discussion proceeds.

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Such knowledge and its circulation as ethnomusicological scholarship are by no means dependent on professional academics, but rather are conditioned, as elsewhere, by complex interactions between universities, museums, amateur organizations, state agencies, and markets. This dialogue, grounded in ethnomusicology’s interdisciplinarity, will be animated by reflexive attention to the specific social configurations of knowledge of and scholarship on the musics of Europe.

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The series establishes a forum that can engage scholars, musicians, and other interlocutors in debates and discussions crucial to understanding the present historical juncture. Rather, the volumes in this series move in new directions and experiment with diverse approaches. Europea is not simply a reflection of and on the current state of research. There is also an intellectual moment to be seized as Europeans reformulate the history of the present, an opportunity to move beyond the fragmentation and atomism the later twentieth century has bequeathed and to enter into broader social, cultural, and political relationships. European unity nervously but insistently asserts itself through the political and cultural agendas of the European Union, causing Europeans to reflect on a bitterly and violently fragmented past and its ongoing repercussions in the present, and to confront new challenges and opportunities for integration. Europea challenges ethnomusicology to return to Europe and to encounter its disciplinary past afresh, and the present is a timely moment to do so. Europe as a cultural area was banished to historical musicology, and European vernacular musics became the spoils left to folk-music and, later, popular-music studies. The comparative methodologies previously generated by Europeanist scholars to study and privilege Western musics were deliberately discarded. As the modern discipline of ethnomusicology expanded during the second half of the twentieth century, influenced significantly by ethnographic methods in the social sciences, ethnomusicology’s “field” increasingly shifted to the exoticized Other.

Bohlman and Martin Stokes The new millennium challenges ethnomusicologists, dedicated to studying the music of the world, to examine anew the Western musics they have treated as “traditional,” and to forge new approaches to world musics that are often overlooked because of their deceptive familiarity. 1 Music, Dance, Performance: A Descriptive Analysis of Manele Ģ A History of the Manea: The Nineteenth to the Mid-Twentieth Century Ĥ Romanian Manele and Regional Parallels: “Oriental” Ethnopop in the Balkans Ħ The “Boyar in the Helicopter”: Power, Parody, and Carnival in Manea Performances Ĩ Village Manele: An Urban Genre in Rural Romania ĩ Turbo-Authenticity: An Essay on Manelism Ībout the Editors and Contributors Citation previewĮuropea: Ethnomusicologies and Modernities Series Editors: Philip V.